EXPO // GEOFFREY CHADSEY // JACK SHAINMAN GALLERY // NEW YORK

EXPO // GEOFFREY CHADSEY // JACK SHAINMAN GALLERY  // NEW YORK

Geoffrey Chadsey - That's not It  - may 16 - june 23, 2018

Jack Shainman Gallery
524 West 24th Street
New York, NY 10011

. www.jackshainman.com


La Galerie Jack Shainman est heureuse de présenter THAT'S NOT IT, une exposition de dessins de l'artiste Geoffrey Chadsey. Dans sa série de portraits peints et dessinés, Chadsey poursuit une décennie d'exploration de sujets fantasmagoriques qui planent dans le sfumato entre le masculin et l'efféminé : ce sont des" made-up men”, présentés à un public numérique invisible et consommateur d'images. Si Giorgio Agamben décrit la personne comme le masque à travers lequel nous maintenons notre statut social, les personnes de Chadsey ont des visages qui s'estompent et vacillent, comme si elles ne se sont pas encore installées dans une identité cohérente,comme coincées pdans un moment de fragilité masculine. Avec des références supplémentaires allant de l'obscur (portraits nus de l'hôpital de la Salpetrière à Paris) au banal (un regard attentif révèle la mascotte Quaker Oats), les personnages cyborg de Chadsey sont  bizarres. Ses personnages hybrides réussissent à rendre l'étrange familier et le familier étrange, brouillant la frontière entre le spectateur et le sujet, entre l'histoire personnelle et l'histoire de recherche de l'artiste....


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Jack Shainman Gallery is pleased to announce THAT’S NOT IT, an exhibition of drawings by Geoffrey Chadsey. In his ongoing series of painterly, drawn portraits, Chadsey continues a decade-long exploration of fantasized subjects that hover in the sfumato between the masculine and the effeminate: they are made-up “men” composed of selves presented for an unseen, image-consuming digital audience. If Giorgio Agamben describes persona as the mask through which we maintain social status, Chadsey’s morphed persons have visages that blur and flicker, as if yet to settle into a coherent identity. The pentimenti evidenced in Chadsey’s transparent process of drawing multiplies the poses on top of each other, as if they are in constant state of shedding, becoming. These men are caught up in enacting the various aspirations of the hyper-American notion of being all you can be. They are anxious, stuck perhaps in a moment of white male fragility: the center is not holding, the multiple drop-down-menu archetypes they enact clashing for attention. But they are excited, too; in the midst of a peacock display.

 

With additional references ranging from the obscure (nude portraits from Paris’ Salpetrière hospital) to the mundane (a close look reveals the Quaker Oats mascot), Chadsey’s cyborg characters are alluringly bizarre. His hybrid figures succeed in making the strange familiar and the familiar strange, blurring the line between viewer and subject, between personal history and the artist’s internet search history. The tree-ring pencil-lined skin of Chadsey’s men, an allusion both to Gustave Doré’s copperplate etchings of Dante’s Inferno and to presidential portraits on US currency, lead our eyes to travel along the subjects’ surfaces, rendering the body, itself, as an evolving physical narrative. Presented in glassless frames, the drawings are delicate, vulnerable even. Overwhelmingly articulated in life-size scale, the figures insist on being beheld.

 

Geoffrey Chadsey, born in Philadelphia, currently lives and works in Brooklyn. He earned his BA in Visual and Environmental Studies at Harvard University and his MFA from the California College of the Arts. He has exhibited his work in solo and group exhibitions at numerous institutions, most recently at the Boston University Art Gallery, as well as the Contemporary Art Museum, Honolulu; the San Francisco Museum of Modern Art; San Jose Museum of Art; the San Diego Museum of Art; Yerba Buena Center for the Arts, San Francisco; and the Frye Art Museum, Seattle, WA. He is a 2011 New York Foundation for the Arts John Burton Harter Charitable Trust Fellow, and has been the recipient of the Artadia Art Council Jury Award and the Fine Arts Work Center Fellowship.

 

Concurrently on view is Weather or Not, an exhibition of works by Nick Cave at 513 West 20th Street. Join us at The School on May 20th for the opening of Travelogue, an exhibition in the main space of recent works by Radcliffe Bailey, along with a series of solo presentations by Nina Chanel Abney, Shimon Attie, Math Bass, Valérie Blass, Vibha Galhotra, Margaret Kilgallen, Lyne Lapointe, Gordon Parks, and Leslie Wayne.